How Much Editing Does Your Work Get?

Editing and revising are my least favorite part of the writing process, but I would argue that they are probably the most important. This is the part where your work is refined, polished, and made the best it can be. You usually only have one chance when querying an agent or an editor, and your work needs to be its best. I have a writer friend in another genre who always says he doesn’t have the time or money to invest in editing. Without revisions, you’re not submitting a quality product. You can also find critique groups, critique partners, or beta readers who can help you get your WIP (Work in Progress) in shape.

After I have done two or three or ten rounds of self-revisions, I submit it to my critique group. We meet monthly and read 50 pages of everyone’s WIP. It helps to get different perspectives and reactions to your stories. It is also a mystery critique group, so all the members are familiar with the conventions of the genre and subgenres.

Then when after all those revisions, I send the manuscript to a small group of trusted beta readers who are also mystery writers. We read each other’s manuscripts.

For manuscripts that I plan to query, I usually hire a professional editor for revisions and proofreading.

After I make all these changes, then the novel is ready for my agent and publisher for final reads and edits. That’s usually three or more rounds of edits/revisions.

Writers need a thick skin. Edits and revisions often feel like criticism when really they shouldn’t be. We do a lot of things well, and our editors help us produce the best possible product for our readers. The ultimate goal is to sell books.

The first time I submitted my beautiful manuscript to the critique group was eye-opening for me. After the feedback, I wanted to throw it in a drawer and abandon all hope. I learned to wait a few days after the meeting before I made edits. That gave me a bit of time to review the constructive criticism and not react emotionally. Most is extremely helpful. Many times things that I thought were perfectly clear in my mind we not necessarily clear to the early readers.

As a writer you need to hone your craft, and that comes with practice and feedback. It’s important that you build your trusted network of early readers, critiquers, and editors. I learn as much from the discussions of the others’ work as I do from the discussion of my pages.

Sisters in Crime, James River Writers, and other writing groups often has critique groups, workshops, and opportunities for authors to help other authors. Check out the online and local groups in your area.